Origin · No. v

Tieguanyin Oolong

Tieguanyin from a single Anxi atelier — the floral-orchid Iron Goddess of Mercy, semi-rolled and partially oxidised the way the Fujian highlands have made it for three centuries.
Origin
Anxi · Fujian
Style
Oolong · Semi-rolled
Harvest
Spring 2026 · First pluck
Caffeine
Medium · Partially oxidised
Saint Graal · No. v

Tieguanyin Oolong

Tieguanyin from a single Anxi atelier — Iron Goddess of Mercy, hand-rolled, charcoal-finished. Floral orchid on the nose; long mineral finish.

15 pyramid sachets · semi-rolled leaf · ~60 cups (4 pours each)
$54 USD

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The Origin

From the green hills of Anxi.

Tieguanyin — "Iron Goddess of Mercy" — comes from the Anxi county of Fujian, on the green western flank of the same mountain ridge that produces the famous Wuyi rock teas. The cultivar that bears the name has been selected on these slopes since the early 18th century. What grows here, grows nowhere else with the same character.

We source from a fourth-generation atelier in the higher elevations of Anxi. They take the spring pluck — small, soft, dark-green leaves — and process them by hand: withering, partial oxidation, kill-green, and the long slow rolling that gives the leaf its characteristic dark-jade pellet form. No machine processing. No shortcut. Nothing that hurries the leaf.

300
Year Cultivar Heritage
30
% Oxidation
Hand-rolled
Leaf Form
The Process

Eight steps. Most of them done by hand.

Tieguanyin is the most labour-intensive tea in the box. The leaf goes through eight discrete stages: withering, sun-shaking (the rough handling that bruises the leaf edges and starts oxidation), indoor withering, kill-green firing, rolling, drying, sorting, and final low-temperature charcoal-finishing. Each stage is judgment-driven — done too long, the leaf turns; done too briefly, it stays green and grassy.

Saint Graal sources only from producers who still process Tieguanyin by hand at every stage that matters. The semi-oxidised, hand-rolled, charcoal-finished result is what makes the cup what it is: floral on the nose, buttery in the body, with the long mineral finish that distinguishes a real Anxi tea from the lighter, greener, mass-market versions sold abroad as "oolong."

i
Pluck
First-pluck spring leaves, hand-picked in late April when the new growth is small and the leaves still soft. Two leaves and a bud, the standard Anxi cut.
ii
Wither & shake
Outdoor sun-withering, then a session of "shaking" — the leaves are agitated in bamboo trays to bruise the edges. This is what starts the partial oxidation that defines an oolong.
iii
Roll & oxidise
Indoor withering for 8–12 hours while oxidation slowly progresses to ~30%. Then the leaves are kill-greened in a hot wok to halt oxidation, and rolled into the dark-jade pellet form.
iv
Charcoal finish
Low-temperature charcoal-roasting locks the cup. Final hand-sorting to remove broken leaf, then sealed into pyramid sachets. Gold-foil wrapped at the moment of grading.
The Cup

Floral on the nose, buttery in the body, mineral on the finish.

The colour is a pale gold-amber with a faint green shadow. The aroma is the unmistakable Tieguanyin nose — orchid, fresh-cut grass, butter, and a hint of stone fruit.

First — The Aroma
Orchid, white flower, fresh butter
The famous Anxi nose. Floral without being perfumed, buttery without being heavy. A note that perfumers have tried and failed to replicate; the leaf and the partial oxidation produce something synthetic flavour cannot.
Then — The Body
Roasted nut, stone fruit, light caramel
The body is rounder than the nose suggests — a warm nutty quality from the charcoal finish, with a slight stone-fruit sweetness. The texture is full and slightly viscous; oolong has more body than green or white, less than black.
Last — The Echo
Long mineral finish, lingering orchid, clean exit
The finish is long and minerally — the legacy of the high-altitude granite soil. The orchid note returns at the end. A second steep extends the finish; a third still gives a clean cup.

A tea for late morning, for the slow Sunday cup, or for the multi-pour ritual that defines a Chinese oolong session.

The Ritual

Hot water. Brief steeps. Many pours.

Tieguanyin is a multi-steep tea — the leaf gives at least four full pours, and many drinkers consider the second the best. Use a small vessel and pour often; the gongfu method rewards attention.

i
1
Sachet
Drop the unopened pyramid into a 6oz cup or gaiwan. The pyramid lets the rolled leaf expand fully — the leaves quadruple in size as they unfurl.
ii
195°F
Water
Hotter than green tea, cooler than full boiling. Boil and let the water rest for one minute. Tieguanyin can take real heat, but boiling water exaggerates the tannin.
iii
30 sec
Steep
First steep: thirty seconds. Don't oversteep an oolong — the bitterness comes fast, and a quick first cup wakes the leaf for the next pour.
iv
Pour
Re-steep at 45 seconds, then 60, then 90. Tieguanyin gives at least four full pours from one sachet; the second is often the most balanced.
The Why

The Chinese oolong people know by name.

Tieguanyin is the most-imitated oolong in the world, and the most degraded. Most "oolong" sold in Western supermarkets is a generic blend of low-grade leaf from any number of countries, lightly oxidised to look the part and labelled with the name. The cup that arrives is grassy, thin, and bears no resemblance to a real Anxi tea.

Real Tieguanyin is a place-specific tea. The cultivar, the soil, the altitude, the climate, and the centuries-old processing tradition all converge in a way that cannot be reproduced elsewhere. We chose Tieguanyin for the box because it's the oolong with the strongest provenance argument — the one whose name actually means something.

Saint Graal sources from a single fourth-generation Anxi atelier that still processes by hand at every critical stage. The leaf is partially oxidised the traditional way (~30%, semi-rolled rather than the lighter "jade" style sold widely abroad), charcoal-finished, and sealed within weeks of production. The cup that arrives is the cup the atelier intended.

Common Questions
What does Tieguanyin oolong taste like?
+
Floral orchid on the nose, fresh-butter and stone-fruit in the body, and a long mineral finish from the high-altitude soil. The cup is gold-amber and noticeably more textured than a green tea — there's body, slight viscosity, and a sustained quality that distinguishes a real oolong from a light green or a heavy black. If you've drunk Tieguanyin before from a generic source, expect to be surprised by how floral and clean the real thing is.
What does "oolong" actually mean?
+
Oolong refers to a category of partially-oxidised teas — somewhere between green (no oxidation) and black (full oxidation). Within that category, oxidation can range from 10% to 80%, and processing styles vary hugely. "Oolong tea" on a generic label tells you almost nothing. Tieguanyin is a specific oolong from Anxi, traditionally processed at ~30% oxidation with hand-rolling and charcoal-finishing — a defined product with centuries of provenance.
How is Tieguanyin different from Da Hong Pao?
+
Both are famous Fujian oolongs but very different teas. Tieguanyin (Anxi) is lighter-oxidised, more floral, more orchid-forward, and produced from the Tieguanyin cultivar on green hills. Da Hong Pao (Wuyi) is heavier-oxidised, more roasted, more mineral, and produced from various "rock" cultivars on the Wuyi cliffs. Tieguanyin is the more accessible of the two; Da Hong Pao is more challenging and more expensive.
How much caffeine is in Tieguanyin oolong?
+
Moderate. Partial oxidation puts oolong between green tea (low) and black tea (high) on the caffeine spectrum. Expect roughly 35–55mg per cup, about half a coffee. Suitable for late morning and early afternoon. The multi-steep ritual gives roughly the same total caffeine spread across multiple pours, which feels less spike-and-crash than a single black tea cup.
Why does Tieguanyin give multiple steeps?
+
The hand-rolled pellet form keeps most of the leaf's compounds locked inside until the leaf opens fully — and a tightly-rolled Tieguanyin pellet doesn't fully open until the second or third steep. The first cup is bright and floral; the second is fullest and most balanced; the third still has structure; the fourth is light but clean. This is why Chinese gongfu service uses small cups and many pours — the leaf reveals itself across the session.